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Winners

 

Grand Prix <1>
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Grand Prix
Grand Prix
Federica Lusiardi, Riccardo Bianchini (Italy)
Category B Chinese Style
       
 
THE NEST HOUSE is a project that suggests a vision for a 2 bedroom apartment, which refers to chinese model, inspired by the idea: could a space made mainly with light and movement; become a place which both adults and children can discover, understand and share together?

We have developed our idea through the construction of an open-space living room in which a "food area" and a "knowledge area" face each other; the house's inhabitants can re-configure the space through the opening of shells that enclose the functional areas.
The areas (the nests), when they are closed and the free space is maximized, become kinds of mysterious objects which also function as large-scale luminous objects that enlight the environment through their colored/reflected light.

When opened, the nests reveal their core, a space that displays its own function: the food area is the area where the family cooks, eats and joins together through food; the knowledge area is both a bookcase and a digital equipped space with an embedded multimedia PC where both adults and children can explore traditional and digital culture.

It was important to preview how this space would be seen by a growing child, and therefore the functional areas are designed to be source of imagination for a young child as well as useful places for when he/she will be older; the walls let scatter the light through all the house, this is a place thought of as a social space where for example the opening of the kitchen unit is a kind of ceremony that says "¡¦this is food time¡¦"

The project is entitled "the Nest house" not only for an assonance with "Next House", which really wasn't intentional, but mainly because the life of a working couple with one child is often limited during the week to a short time in the morning and some hours in the evening, so the house itself is

at last the nest where a modern family may regather, it seemed interesting to us to image a nest made by other smaller functional nests that embody the two vital-points that in our opinion bind people out of their places of work: eating and communicating to each other (perhaps at the same time, of course).

 
M : Second category and it mixed in a precise way functionality, the psychology of the inhabitants, movement and transformability, transformation of the space, transparency, light and colors. It's something very heavy, spiritual. Very good using of multimedia. It's a very good example of the future of the private housing for three persons. This is realistic but also very original which of poetry and sensibility. It's kind of make of the kind of future for the reorganization of the concept of private habitat. Very good in the aesthetics and in all the pieces of design and of furniture.

K : A brand new design overall, could say it is Chinese style. The reason we chose this work for Grand Prix winner is because we think it is the closest approach to our subject point. We were in pursuit of conceptual side, whereas the overall subject was divided into conceptual and aesthetic side. However, the two facets combined together proves originality. This work has exceptional system, the way the system is shown in colors and appearance is highly appreciated.

P : I too, found this proposal to be extremely elegant, very refined, poetic and precise. This is a very compact solution that uses an economy of means and the idea of transposition, elements to reconfigure and to transform space. The outer walls are fixed and are conventionally box-like and I think that this contributors adherence to a very disciplined outline for this solution does the solution all the more credit. The bedrooms and the toilets occupied one side of the unit and leaving the center of the apartment unencumbered as a living space. And using fabric wall of poly-vinyl fabric. The room can be sub- divided in ways that can accommodate different uses and we found this to be extremely interesting and original and allowed for the transformation of a simple plan to have many different configurations. Use of the synthetic materials and light and his approach to color and technology further reinforced the nature of this adapted solution and does a great deal within very, very tight constraints.

C : The beauty of movement of the furniture is the unique strength of this project. However, I think the furniture pieces are still objects occupying the space. It could have been integrated more, perhaps, into the architecture.
 
 
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